Stadium Devildare
WHAT: Stadium Devildare
WHEN: January 17 – February 23 (see schedule for details)
WHERE: 621 W. Belmont Ave. (Red Tape Theatre inside St. Peter’s Episcopal Church, 2nd floor)
RUNTIME: 1 hour 20 minutes, no intermission
PRICE: $25
OUR RATING: Skip It!
How do you summarize Stadium Devildare? Let’s be frank, it’s extremely difficult to fathom what this play is truly about: in some sort of post-apocalyptic future, combatants work both with and against each other in a war zone in a Battle Royale style competition, broadcast to the watching public. We guess?
Red Tape Theatre’s Stadium Devildare did what no art should do: it confused the hell out of the audience and was almost completely and utterly inaccessible.
Adam: The major problem with Stadium Devildare is the extreme obtuseness of the script. What is this battle for glory? Why is it taking place? And why can’t I understand what people are saying, even though they are clearly speaking English?
At first, I thought I was missing the deeper meaning of the play, that my powers of perception and understanding were not great enough to comprehend the words emanating from the stage. Then, I seriously considered the possibility I was having a stroke, but after a quick check of both the right and left sides of my body, I established that the only haemorrhaging occurring was from the outflow of poetic gibberish spewing from Ruth Margraff’s script.
(redtapetheatre.org)
And my belief is strongly that the problems are with the playwright and not the cast or Red Tape Theatre, who did do an admirable job of producing a lemon of a work. A strong performance was to be had from Lyndsay Kane playing the presenter of the night’s entertainment, and all members of the cast engaged in a physically demanding and strenuous set of stage fights. But, the overall quality of the script was so awful that not even an Tony-award winning, or nominated, actor could have redeemed it.
(redtapetheatre.org)
Alicia: I found this play unentertainingly exhausting, which is unfortunate because I have a huge amount of respect for Red Tape and many of the individuals working on the production. Lakeview’s Red Tape Theatre has a mission for reinventing the relationship between the artists onstage and their audience, and have a very unique perspective in providing new and experimental work and an interactive performance space, which many more conservative theaters in Chicago can’t pretend to do. I also found Greg Poljacik’s fight choreography pretty masterful, and there were some really fun scenes with Ninja game characters in this respect (with some stellar nonspeaking performances by Bryan Bosque and Julian Hester). Rachel Spear’s sound design and especially Mike Morch’s scenic design were innovative and also fun to experience.
(redtapetheatre.org)
But that’s as far as it goes, and trust me: those saving graces don’t provide a big enough dosage of aspirin for the headache that Stadium Devildare really was. I felt stupid and confused throughout 95% of the show, which no audience member should have to experience. I’m sure this was not director Karen Yates’s intention, but I had no idea what they were saying, no idea what was going on, and half way through the show I lost my will to keep on attempting to figure it all out. I surrendered and gave up. It was too painful.
Final Thoughts: There is a lesson for the future here: stay away from work you don’t fully understand–inscrutability doesn’t equal gold, and will more than often render nothing but pyrites.
Warning: Contains scenes of rape, extreme violence and foul language.
